I have got to get myself the soundtrack to this film and you have got to see it somehow. Another thing that makes this film very good is the fantastic camera-shots, especially one of Nineteenhundred as he stands halfway across the plank which leads him from the boat to New York, undecided whether or not he should leave the boat and head for world-wide celebrity on land, or stay on the boat and remain unknown to anyone but the passengers. There are many rousing themes played throughout the film, especially the love theme played while Nineteenhundred kisses a girl he has fallen in love with, a simple yet very effective theme. Probably the best thing about this film is it's music. There is some piano playing in this scene which will leave pianists with there mouths hanging open. This leads me on to one of the most impressive parts of the film where Nineteenhundred and Morton have a match to see who is the best pianist. It supports Dolby Atmos®, DTS:X®, Auro-3D®, and Dirac Live®. This cast also includes Clarence Williams III, presumably the grandson of Clarence Williams (the man who wrote the song "Basin Street Blues" one hell of a classic), as Jelly Roll Morton. Play full-length songs from The Best Notification Sounds, Vol. The Monolith HTP-1 is the ultimate, state of the art surround sound processor designed enthusiast home theaters. Tim Roth is good as the handsome pianist Nineteenhundred and so is all the the rest of the cast.
Not a classic, but whoa, some of that piano playing just sweeps you right off your feet. You're the only one who knows that I'm here. After all, it's as though I never existed. You played out your happiness on a piano that was not infinite. And there were wishes here, but never more than could fit on a ship, between prow and stern. The world passed me by, but two thousand people at a time. Aren't you scared of just breaking apart just thinking about it, the enormity of living in it? I was born on this ship. All that world weighing down on you without you knowing where it ends. Christ, did you see the streets? There were thousands of them! How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die. But if that keyboard is infinite there's no music you can play. But you get me up on that gangway and roll out a keyboard with millions of keys, and that's the truth, there's no end to them, that keyboard is infinite. And on those 88 keys the music that you can make is infinite. You know there are 88 of them and no-one can tell you differently. What I couldn't see was where all that came to an end.
In all that sprawling city, there was everything except an end. Can you understand that? What I didn't see. It wasn't what I saw that stopped me, Max. I cut quite a figure and I had no doubts about getting off. The end! Please, could you show me where it ends? It was all very fine on that gangway and I was grand, too, in my overcoat.